I’m very excited to be about to start a new themed series of paintings of local #seabirds for a client.
I’ve just finished an architectural commission of an old family home which i know has meant so much and brings so many memories back for that client. Seeing how my paintings impact on clients really means a lot to me and I feel a huge responsibility when i am trying to capture other people’s memories.
However i am excited for this new series.
Birds are some of my favourite subjects to paint – I love the challenge of trying to capture their lightness and “flightness” and the luminescence of light on feathers.
Better still, this series will feature all the birds i can see in my beloved Dundrum (County Down, Northern Ireland), where i spend my #summerholidays every year with family.
Dundrum is definitely my happy place – a peaceful, beautiful and back-to-basics-sand-in- your-toes-in-tune-with-nature haven. I LOVE IT
Anyway, I’m just on the brink of starting the series, so watch this space and in the meantime here are some of my favourites from the birds I’ve already painted – you can see more on my portfolio page, with limited edition prints available to buy in my online shop. I hope you enjoy.
2021 has started more with a whimper than a bang. I’ve been laid low and in some considerable pain. I am thankful for antibiotics which are taking the edge off the pain and (I hope) turning the curve on the infection. But it’s thrown a spanner into the works in terms of making progress with painting. Finally this week I’ve had enough energy to go up to the studio to put the finishing touches on my newest painting “The Kelpies”.
If you’ve seen any of my recent polar bear paintings you’ll know that I’ve been loving painting light filtering through underwater. I wanted to try to capture it through a seakelp forest.
I remember standing mesmerised and swaying whilst watching seakelp drift back and forth in @2oceansaquarium in Capetown years ago – I’ve been a fan ever since and love how it catches days of light with such a range of colour tones from dark brown to ochre to acid greens.
Separately I’ve been reading about #celtic #kelpies – proper horror stories – beautiful but deadly #shapeshifters that usually take the form of horses – sometimes beautiful women – to lure you into the deep. This is absolutely the dark side of celtic mythology and truly haunting. You can read more about the tales here
I always love new year’s day (much more than new year’s eve) – so full of promise and potential, though for the most part, we need to create these for ourselves.
It’s a beautiful day here in NI. We’re still under a pretty restrictive lockdown, but i think most of us feel hopeful about what 2021 can bring.
So far today I’ve taken down my Christmas tree and put it in the garden where it will hopefully grow.
I’m planning to reclaim my attic (where i have my studio) from the cardboard box graveyard that it has become. And then I’m going to get stuck into my new painting.
I started it yesterday though I’ve been thinking about it for months.
I love painting water and recently been focusing on how light filters through underwater. I’ve been thinking about forests of sea kelp. And that started me thinking about kelpies- the Scottish water horses that lure their victims down to the deep. So my latest painting, The Kelpies, is a departure for me from purely literal realism to toy with other themes and genres.
I’m finding it challenging, with lots more detail and development to come. And I’m not sure that it will go where i want it to. But let’s step bravely into new styles, approaches, perspectives and experiences as we step into 2021.
Tonight i finished a painting. I like the back story to this one – I had donated a painting of a bluetit with cherry blossom as a prize in a lockdown charity zoom quiz.
By a strange quirk the quiz master won the painting, but then i felt bad ‘cos he didn’t seem a bluetit and cherry blossom kind of guy , and y’know, wherever my paintings end up, I want them to be a good match. So instead i offered to paint whatever else they wanted and they chose this – the KEA – a bird I hadn’t heard of till a few weeks ago.
I love the blurry out of focus of the background and wingtips to suggest movement contrasted with the sharp focus of the head and that flash of scarlet.
Have just finished a mammoth session at the easel and though I’ll check it again in daylight, for tonight I’m calling time on this one.
So one painting ends and another begins. I’ve got 3 commissions left before Christmas and then I have big plans for a big self-indulgent painting project in the new year…. I’m excited and daunted. And you’re just going to have to watch this space.
A few weeks ago I posted about the turn of the seasons. Our latest lockdown (still in place) had just started, with restrictions on socialising indoors as well as the closure of cafés and bars. Compounding this was the looming end of British summertime, when the clocks fall back by an hour, ushering in long dark Northern wintry nights. I usually dread this time of year and mourne the long days of summer.
This year has been different. My dog and I have been celebrating the gorgeous deserted wintry beaches of Northern Ireland.
Faced with the end of the summer we jumped in the car and headed to our nearest nice beach – Ballyholme, in Bangor, Northern Ireland – and chased frisbees and sea birds while the daylight started to fade till it was just a strip of silver reflected on the wet sand along with the distant streetlights from across Belfast Lough.
The summer has definitely ended and become a memory, but for once I’m embracing the beauty of the approaching winter and enjoying impromptu outdoors car-boot picnics with friends, warming ourselves up with hot soup after chilly beach walks.
I’ve been inspired to capture that evening in a new painting “Turn of the Seasons” (you can see it the start of this post). It’s been a joy to work on and I’ve been excited to watch it come together.
I’ve just put the finishing touches to the painting this morning and I’m stepping away from the easel with a lovely sense of satisfaction that comes with finishing something that I’m proud of, that captures the fleeting beauty of a cold wintry beach in lockdown and (I hope) the peace and gratitude and wonder that I experienced being on it.
I hope you enjoy. I’ll be adding it to my portfolio and i plan to get some limited edition prints, so do get in touch if you’re interested in one.
The VIRTUAL PANDEMIC EXHIBITION of 2020 by the Pastel Society of Ireland.
It’s been a challenging year. Across the whole world we are agreed on that. Its been full of tears and fears and loss and loneliness. But it’s also shown us unexpected joys and love and new friendships and hopes.
Throughout it all creativity has been a godsend to many – a release; an escape; a strength – whether through gardening, poetry, DIY or (as with us) pastel art.